By Dean Koontz
I am the only, the all and the single. I dwell within the Pendleton as definitely as I dwell all over the place. i'm the Pendleton's heritage and its future. The development is my position of belief, my monument, my killing flooring. . . .
The Pendleton stands at the summit of Shadow Hill on the optimum element of an outdated heartland urban, a Gilded Age palace in-built the past due 1800s as a tycoon's dream domestic. virtually from the start, its grandeur has been scarred by way of episodes of insanity, suicide, mass homicide, and whispers of items a ways worse. yet when you consider that its rechristening within the Seventies as a luxurious condominium construction, the Pendleton has been at peace. For its lucky residents--among them a winning songwriter and her younger son, a disgraced ex-senator, a widowed lawyer, and a pushed funds manager--the Pendleton's exceptional quarters are a sanctuary, its darkish previous all yet forgotten.
But now inexplicable shadows caper throughout partitions, safety cameras relay most unlikely photographs, phantom voices mutter in unusual tongues, not-quite-human figures lurk within the basement, elevators plunge into unknown depths. With each one passing hour a terrifying sure bet grows: no matter what drove the Pendleton’s earlier occupants to their unspeakable fates is at paintings back. And as nightmare visions turn into actual, as a perilous tide starts to engulf them, the folk at seventy seven Shadow road will locate the most important to humanity’s destiny . . . in the event that they can continue to exist to exploit it.
Includes the bonus novella The Moonlit Mind.
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Additional info for 77 Shadow Street
Somewhere in that interview he was commenting on the near-perfect match between some of my drawings and the target. His statement was something like, "Joe provides this kind of spectacular detail about twenty percent of the time. " This statement was made along with other statements that reflected a target hit rate of about sixty to sixty-five percent. But in this statement, he was specifically referring to near perfect drawings, something that rarely happens in remote viewing. Unfortunately, when it was edited, it was taken completely out of context.
Unknown targets are filled with problems. As an example, a totally unknown target, like a UFO sighting, makes a very poor target. Even if you have a perfect description of the area in which the sighting has taken place, you are still left without any information that can validate specifics about the actual target—the UFOs. In my experience, the chances of stating UFO material obtained through remote viewing is correct are very close to zero. Likewise, the existence of a totally unknown target is almost never checked out on the ground.
People do this in a lot of different ways. " Well, I'm talking about the same kind of thing. For instance, the way a person shifts in a chair might tell us when we are getting close to a correct answer. How people fold their arms during a conversation or what they do with their hands transfer information as well. Even where and how a person moves his eyes while answering a question can tell us whether we are right or wrong, or if they are inventing a response to throw us off the track, or if they simply don't know.
77 Shadow Street by Dean Koontz