By Scott Allen Nollen
As of the preferred entertainers of the mid-century movie undefined, comedian greats Bud Abbott and Lou Costello provided an important balm to the yank public following the sorrows of the nice melancholy and through the trauma of global struggle II. this is often the 1st e-book to concentration intimately at the immensely well known wartime motion pictures of Abbott and Costello, discussing the creation, content material, and reception of 18 motion pictures in the context of wartime occasions at the domestic entrance and overseas. the flicks lined contain the provider comedies dollar Privates, within the military, and preserve 'Em Flying; extra mainstream comedian reduction movies similar to Pardon My Sarong and Who performed It?; and post-war experiments akin to Little gigantic and The Time in their Lives. greater than a hundred and twenty stills and foyer playing cards from the author's own assortment illustrate the textual content, together with many displaying outtakes or deleted scenes.
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Extra resources for Abbott and Costello on the Home Front: A Critical Study of the Wartime Films
A comic highlight involves Pomeroy’s attempts to bed down in his hammock for the night. Costello ignored the script, which included an elaborately contrived routine and adlibbed a much funnier tour de force. After tossing his clothes out a porthole (“I thought it was a little closet,” Pomeroy tells Smokey) he makes three valiant attempts to climb into his hanging sleeper. Wearing enormously out-sized boxer shorts, he ﬁrst makes a conventional attempt, and then saddles it like a horse, petting its “head” before falling to the deck.
The ﬁlm reaches its patriotic apex during a sequence in which Jinx sings “Keep ’Em Flying” as he and other cadets are shown enthusiastically responding to “Reveille,” happily thrusting themselves out of bed, showering, dressing and performing calisthenics. “We’re an all–American team,” warbles Dick Foran. In 1941, this fantastical scene may have roused audiences to action, but now it’s embarrassingly hokey. Fortunately, this over-the-top patriotism is balanced by some equally energetic comedy when Heathcliff attempts his own demonstration of the “aerial-type torpedo” for Gloria.
When the car emerges from the other end, a bear is driving the car. This chase had audiences howling with laughter, so Universal made sure to end each subsequent Abbott and Costello ﬁlm with a similar comic pursuit. Bob and Alabam are picked up by the boys, and the former arrives at the celebration just in time to win the contest. ”) Of course, Rainwater again appears to chase Willoughby into the ﬁlm’s ending, which concludes with a parade of ﬂag-wavers on horseback. ) The nearly plot-less Ride ’Em Cowboy features uniformly good performances, though Bud and Lou are less enthusiastic than in the service pictures and Hold That Ghost.
Abbott and Costello on the Home Front: A Critical Study of the Wartime Films by Scott Allen Nollen