By Ian Scott
How is the yank political panorama represented in cinema? what's the dating among Hollywood and Washington? From Arnold Schwarzenegger's upward push to the Governorship of California via to the drama of the celebrity-fuelled 2008 Presidential election, Hollywood and politics have by no means been extra intimate. This completely up to date and revised new version keeps to examine the theoretical and conceptual dating of Hollywood to nationwide politics and how movie content material and feedback has aligned itself to political tradition and debate.Chronicling the evolution of yank political cinema from the Nineteen Thirties, this publication explores the genre's symbiotic courting with the yank political tradition and background. via textual research of a number motion pictures and tv sequence, Scott offers a critique of present and earlier advancements throughout a number of sub-genres, together with the bio-pic, the election movie and documentary. New for this variation* research of the post-9/11 and Bush era's impression on
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Extra info for American Politics in Hollywood Film
Indd 39 29/03/2011 09:02 40 AMERICAN POLITICS IN HOLLYWOOD FILM Capra helped establish a policy that Columbia implemented during the 1930s; it was a policy that combined ingredients that had worked individually and might work even better in combination. 16 It was in that spirit of social conscience, political engagement and, yes, economic reward that an established ‘major’ like Warner Bros influenced Capra and Columbia by trying to extract some of that social interest from their audience too. They thus added dollops of tension, excitement and verve to their own productions throughout the decade, especially the gangster movies, courtroom narratives and social melodramas that made their name in this era.
Locke’s Second Treatise on Government, published in 1690, became the work that was to dominate American thinking in later generations. It took its influence from Hobbes’s Leviathan, published in 1651, and Harrington’s Commonwealth of Oceana in 1656. See Kenneth M. Dolbeare, American Political Thought, 2nd edn (Chatham, NJ: Chatham House, 1989), pp. 19–20. 15. Daniel Franklin, p. 21. indd 32 29/03/2011 09:02 Film, Ideology and American Politics 33 16. Louis Hartz, The Liberal Tradition in America (New York: Harcourt Brace, 1955).
But the evolution of these different genres, which coalesced into what we generally term ‘political films’, was another important signal of Hollywood’s determination to regale its audiences with tales of contemporary and/or historic significance, as well as to challenge any overbearing imposition of restriction and censorship of its products. Outside interference as well as self-regulation had begun early, though. In 1915 the Supreme Court had effectively stated in the Mutual Film Corporation v Ohio ruling that the movies did not have the protection of the First Amendment to the Constitution.
American Politics in Hollywood Film by Ian Scott