By Stephen Clarke
We’ve been stressful the French for one thousand years. yet were you aware that, as lately as 2010:
When the French and British navies attempted to affix forces, nuclear submarines collided, an coincidence that France’s Minister of Defence blamed on shrimps. It was once Trafalgar yet again – yet with seafood.
The american citizens infuriated the French via arresting Dominique Strauss-Kahn, a member of France’s political élite, after which treating him like a standard suspect. Ce n’est pas normal!
With either a royal marriage ceremony and a jubilee, the Brits confirmed the French what a rash inspiration it was once to decapitate their king.
When David Cameron walked out of a eurosummit, he provoked a volley of comical anti-Anglais insults from French politicians.
Stephen Clarke experiences every thing the English-speaking international has been doing lately to make sure that France hangs directly to its nationwide inferiority advanced. For the French, the merde by no means ends
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Additional info for Annoying the French Encore!
The first custard pie was thrown at Fatty Arbuckle by Mabel Normand in A Noise from the Deep in 1913. Prior to that, as we have already seen, water was thrown around in pantomimes and, even earlier, What is Slapstick? 33 food was commonly thrown on stage in commedia dell’arte. Throwing objects includes an element of transgression. In everyday life we would be unlikely to get away with throwing pies or water at either our friends or our enemies. The audience may, therefore, take some vicarious pleasure in seeing the victims being hit or soaked.
Superficially they appear quite straightforward. Structural elements (A) Repetition Repetition is clearly an important element of slapstick performance. For example there is a difference in audience response when they watch a 40 Structures and Techniques of Slapstick 41 performer being hit over the head with a frying pan once, three times or twenty times. There is, in any sequence of repetition, an optimum number of repeats, which will be affected by such aspects as audience identification with and empathy for the character being hit or the character doing the hitting, the use of supporting sound effects and the apparent effect of the repeated impacts.
These trips can result in dramatic and painful falls. Sometimes comic pain occurs as the result of what I define as malicious props. Such props appear to take on a life of their own, behaving in ways that neither the viewer nor the antagonist would anticipate but which serve to make objects much more dangerous – and more animate – than they should be. A significant example of this is the house in The Money Pit, which will be considered in Chapter 5. Closely related to malicious props is the throwing of objects.
Annoying the French Encore! by Stephen Clarke