Blue Monday, Vol. 3: Inbetween Days by Chynna Clugston PDF

By Chynna Clugston

Vacations encourage loads of assorted reactions in humans. for example, Clover hates the sappiness of Valentine's Day, whereas Bleu loves Halloween. Clover additionally hates St. Patrick's Day and the way humans have grew to become it into an orgy of eco-friendly beer and leprechauns, yet either women like April Fool's Day and the way it conjures up Victor to dig out his goth apparatus from the times of yore.

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Oh, and we managed to go to Bermuda that month with his daughters. Then in August I started rehearsals for Lil’ Abner. And don’t forget that Ernie’s daughters came to a matinee of mine whenever I was on, and we would have dinner afterwards at Sardis. m.  Unlike the Philadelphia and New York shows, the Kovacs shows 20 } Ernie Kovacs & Early TV Comedy Edie Adams “encircling” Ernie Kovacs, who enjoys it all. The Ernie Kovacs Show (cbs/nbc 1952–1956). nbc/Photofest © nbc in California from 1958–1962 were not under the same “no budget, no time” regime.

He wears a bow tie and, of course, has his cigar in hand as he addresses a live audience and looks directly at us (the camera) frequently. The stage set is a European forest. Edie Adams in costume sings an operetta piece as a violin plays. As in most “comedy variety” shows, the song is done straight without humor. Ernie begins reading a poem about gypsies and breaks into Hungarian. He then turns to the camera and says “Hiya, folks. ” And the whole screen freeze-frames as he winks at us! ”), eight years before Francois Truffaut ended his muchwritten-about debut feature, 400 Blows (1959), with a freeze-frame of the young protagonist’s face.

Yes, the surrealism of an elephant suddenly in a Western is clearly Ernie Kovacs’ imagination at work full tilt in a purely carnivalesque spirit. The shootout ends as a young lady in a long dress walks through the swinging doors only to have her skirt shot off and her long knickers exposed. But before we cut to the Dutch Masters cigar box and the commercial pitch, Ernie splices in one last “killing” and this is the explosion of a ship in a harbor. What seems particularly “modern” about this example of what we could call Ernie’s “montage (editing) humor” is the extremely short takes of each shot so that as music plays throughout, we have something of a humorous mtv music video decades before mtv existed.

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Blue Monday, Vol. 3: Inbetween Days by Chynna Clugston


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