Download e-book for kindle: Cahiers du Cinema: 1969-72: The Politics of Representation by Nick Browne

By Nick Browne

ISBN-10: 0415029872

ISBN-13: 9780415029872

ISBN-10: 0674090632

ISBN-13: 9780674090637

Cahiers du Cinema is legendary because the serious magazine of the French "New Wave." Fran?ois Truffaut, Jean-Luc Godard, Eric Rohmer, Jacques Rivette, and plenty of different significant administrators wrote for it within the Nineteen Fifties and '60s. Its early years have understandably bought loads of consciousness, yet, as Nick Browne issues out in his advent to this quantity, Cahiers du Cinema released enormously vital articles even after its mythical heyday. The items reprinted right here, such a lot of them translated into English for the 1st time, rfile the adjustments in French movie concept and feedback after the occasions of may perhaps 1968. among 1969 and 1972, Cahiers du Cinema grew to become an intensive Marxist magazine. Its individuals interpreted the political ideology of flicks and filmmaking while they persisted to discuss the paintings of significant foreign administrators. incorporated listed below are theoretical items in addition to clean tests of movies through Sergei Eisenstein, Josef von Sternberg, Luchino Visconti, George Cukor, and many others.

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Poetry is, at every turn, not only the medium but the implicit subject of this film. That duality of purpose is certainly the element that makes this film so French. Ultimately we cannot know what the future holds for Jean and Juliette. Perhaps that is why the last shot of the film follows the Atalante moving enigmatically through a limitless expanse of water, onward into the night. The film offers no comfortable closure, only immense possibility. indd 33 9/15/2009 5:59:10 PM 34 Cinema and/as Poetry eye view of the barge, to sail along at some distance beneath our eyeline level.

4 This particularity of cinema is more than just a characteristic; “objectivity in time,” according to Bazin, constitutes the very ontology (the defining characteristic) of the seventh art. When we recall that almost nothing happens in the world of French cinema without a theoretical rationale, we can understand the importance of Bazin’s thinking for some of the filmmakers around him. If indeed, the very ontology of cinema is the real, then not only is true cinema realistic, but anything that takes away from this realism constitutes a betrayal of the nature of cinema.

Had she benefited from a larger perspective on this event, she doubtless would have acted with much more restraint (in keeping with her initial “confession” of her friendship with André), rather than falling entirely out of character, chasing after three different men during the carnivalesque gala, and ultimately agreeing to run off with André – a decision that directly leads to the “deplorable accident” that will result in André’s death. indd 43 9/15/2009 5:59:44 PM 44 Cinema and the Real that must be appreciated before we can grasp the film’s deeper meanings.

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Cahiers du Cinema: 1969-72: The Politics of Representation by Nick Browne

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