New PDF release: Dark Fiber: Tracking Critical Internet Culture

By Geert Lovink

ISBN-10: 0262122499

ISBN-13: 9780262122498

In keeping with media critic Geert Lovink, the web is being closed off by way of organizations and governments rationale on making a company and data setting freed from dissent. Calling himself a thorough media pragmatist, Lovink envisions a web tradition that is going past the engineering tradition that spawned it to deliver humanities, person teams, social events, nongovernmental enterprises (NGOs), artists, and cultural critics into the middle of net development.In darkish Fiber, Lovink combines aesthetic and moral issues and problems with navigation and usability with no ever wasting sight of the cultural and financial agendas of these who keep an eye on undefined, software program, content material, layout, and supply. He examines the unwarranted religion of the cyber-libertarians within the skill of industry forces to create a decentralized, obtainable communique procedure. He experiences the internal dynamics of hackers' teams, web activists, and artists, trying to comprehend the social legislation of on-line lifestyles. eventually, he demands the injection of political and financial competence into the group of freedom-loving cyber-citizens, to wrest the net from company and kingdom control.The issues comprise the erosion of e mail, bandwidth for all, the increase and fall of dot-com mania, techno-mysticism, sustainable social networks, the struggle for a public web time commonplace, the recommendations of web activists, mailing checklist tradition, and collaborative textual content filtering. Stressing the significance of intercultural collaboration, Lovink comprises studies from Albania, the place NGOs and artists use new media to strive against the country's poverty and isolation; from Taiwan, the place the September 1999 earthquake highlighted the cultural politics of the net; and from Delhi, the place a brand new media heart explores unfastened software program, public entry, and Hindi interfaces.

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This implies that all forms of technological determinism should be condemned. Technology is not inevitability; it is designed, it can be criticized, altered, undermined, mutated and, at times, ignored in order to subvert its limiting, totalitarian tendencies caused by either states or markets. What is it that makes this type of intellectual “virtual”? Needless to say that s/he will no longer accept the editorial tyranny of the Gutenberg bosses. The virtual intellectual of my dreams would freely move around on the net, having its own web site and attached revenue string of micro payments, establishing alternative reputation systems, wary of the reintroduction of scarcity and proprietary models.

This became an obsession for most of them—especially for Baudrillard. <26 <26 27> Speculative Media Theory They are even more influenced by the trauma of the Second World War. All of them make references to the crucial period between the two world wars, both historically and theoretically. The War is the father of all media, and the founding fathers of media theory are Heidegger and Benjamin (McLuhan being the good third). Combine all these elements and you have an impressive and productive research program for decades to come.

2, 1995: 145–149); Friedrich Kittler, Dracula’s Vermächtnis (Mediamatic 8, no. 1, 1994: 1942–1943); Hartmut Winkler, Switching-Zapping (Mediamatic 8, no. 1, 1994: 1946–1947); Norbert Bolz, Die Welt als Chaos und Simulation, plus Quick Reviews (Mediamatic 7, no. 2: 181–186). See also “The Archeology of Computer Assemblage,” an interview with Werner Künzel plus a review of his books (Mediamatic 6, no. 4, 1992: 71–76); review of Hard War/Soft War, ed. Martin Stingelin and Wolfgang Scherer (Mediamatic 6, no.

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Dark Fiber: Tracking Critical Internet Culture by Geert Lovink

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