Get Geographies, Genders and Geopolitics of James Bond PDF

By Lisa Funnell

ISBN-10: 1137570237

ISBN-13: 9781137570239

ISBN-10: 1137570245

ISBN-13: 9781137570246

This booklet discusses the representational geographies of the Bond movie franchise and the way they tell our studying of 007 as a hero. providing a brand new and interdisciplinary lens by which the franchise will be analyzed, Funnell and Dodds discover a variety of subject matters which have been principally, if now not solely, missed in Bond movie scholarship. those subject matters comprise: the transferring and gendering of geopolitical kinfolk; the differing depiction and evaluate of vertical/modern and horizontal/pre-modern areas; using classical parts in defining gender, sexuality, heroic competency, and geopolitical clash; and the continued value of haptics (i.e. touch), kinesics (i.e. movement), and proxemics (i.e. using house) in defining the embodied and emotive international of Bond. This ebook is entire in nature and scope because it discusses all 24 movies within the legitimate Bond canon and theorizes in regards to the destiny course of the franchise.

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Extra info for Geographies, Genders and Geopolitics of James Bond

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No onwards, Bond’s body has been an essential element contributing to mission success. In the vast majority of films, there is at least one scene in which Bond appears shirtless or with an open button-down shirt, which showcases his slender but toned chest; he might be seducing a woman, getting dressed after a sexual encounter, or engaging in some form of leisure activity like tanning by the pool. He is also depicted with a ‘well-dressed body’—one that is equally at home in swimming trunks as it is dressed in a dinner jacket and suit.

Madeleine Swann). Second, Bond’s ongoing loyalty to M is signified through the Royal Dolton bulldog that once appeared on her desk and was bequeathed to him after her death at the end of Skyfall. This serves as a transtextual and 38 L. FUNNELL AND K. DODDS Fig. 3 Spectre (Eon Productions et al. 2015) transcendental symbol of Bond’s ongoing loyalty to Queen and Country as signified by M (see Chap. 8). Finally, the film includes images of characters from the previous Craig-era films. Images of Silva, Lynd, LeChiffre, and M appear (in that order) in the opening credit sequence, an approach that recalls the way in which OHMSS featured images of previous characters in the opening credits as a way to connect the first Lazenby film with those of the Connery era and root OHMSS in the Bond film tradition.

1057/978-1-137-57024-6_2 21 22 L. FUNNELL AND K. DODDS has to think of how the opening shot of Bond striding across the screen with a sense of purpose before turning and pointing his gun towards the viewer is emblematic of his kinesthetic and proprioceptive qualities.  6–7). Filmmakers, including those associated with the Bond franchise, have proven adept at using close-up body shots, focus alteration, and sensual imagery to appeal to touch. Thus, it is important to explore the representational and body politics of the Bond franchise and the messages being conveyed through Bond’s touch and feeling.

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Geographies, Genders and Geopolitics of James Bond by Lisa Funnell

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