Girl Reporter : Gender, Journalism, and the Movies - download pdf or read online

By Howard Good

ISBN-10: 0585250677

ISBN-13: 9780585250670

ISBN-10: 0810833980

ISBN-13: 9780810833982

Howard sturdy makes use of Torchy Blane, the hero of 9 Warner Brothers motion pictures from the Nineteen Thirties, because the centerpiece of this crucial cultural examine of Hollywood's infatuation with the feminine reporter. sturdy argues that, regardless of illusions of equality among female and male newshounds on movie, many portrayals of girl newshounds actually toughen conventional gender roles. strong attracts on various cultural fabrics to set up his argument. not just does he comprise shut readings of many very important movies from the Nineteen Thirties throughout the Nineteen Nineties, yet he additionally provides theater posters, press books, criminal files, comedian strips, fan magazines, and picture reports. different sisters of the feminine reporter motion picture function that the e-book investigates contain characters performed via Joan Crawford and Katharine Hepburn, in addition to fresh portrayals of ladies newshounds in renowned movies corresponding to The Paper, i like hassle, and To Die For. This booklet doesn't simply cease its research on the portrayal of girls as newshounds in videos. sturdy concludes with a vital comparability of the feminine reporter on monitor and her counterpart within the genuine international. He increases stressful questions on ethics, behavior, and gender family members in journalism that Hollywood motion pictures haven't but been in a position to get to the bottom of satisfactorily. Written boldly, Howard stable presents a clean and interesting examine a vintage Hollywood position that helps the prospect that Torchy Blane, and different girl movie journalists and their real-world opposite numbers, are the grittiest women round.

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3 Such obsession with the public image of the press ignores the deeper and more serious cultural role performed by journalism films. As Vivian Sobchack reminds us in her essay, "Genre Film: Myth, Ritual, and Sociodrama," "What is of interest . . is . . "4 Journalism films, then, aren't simply about journalism. In the films, journalism functions as a vehicle for exploring certain gender-based conflictscareer versus marriage, workplace versus home, co-workers versus family, freedom of the night versus middle-class domesticity.

The Match King, The Mystery of the Wax Museum, Grand Slam, and Blue Moon Murder Case. By the early 1930s, she was a full-fledged Hollywood star. And a Hollywood star was expected to spend lavishly even when times were tough for the rest of humanity. "She may have some sense of economics," Terrence Costello wrote of Farrell in 1933, "but, if so, she carefully hides it. Characteristically, she lives in one of Hollywood's most expensive apartment houses. "14 What kept Farrell from seeming ostentatious was the fact that journalists attributed her stardom more to her inner strength than to her luck or looks.

14 The last story in the MacBride-Kennedy series was published in the August 1936 issue of Black Mask. A year later, Nebel's characters made it to the screen in Smart Blonde, but with a number of curious alterations. Capt. "15 Why would Warners turn Kennedy into a newspaper gal? To provide a conventional love interest for MacBrideexcuse me, McBrideis certainly one possibility. "16 Christine Stewart was both reporter and love interest in the "Candid Camera Kid" series, as were Diane Elliot in Operator 5, Betty Dale in Secret Agent X, Doro Kelly in Captain Zero, and Winnie Bligh in Masked Detective.

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Girl Reporter : Gender, Journalism, and the Movies by Howard Good

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