By Vijai Singh Katiyar
This booklet lends a brand new size to the best way the normal Indian sari is regarded upon, and upholds it because the epitome of holistic layout with a distinct artistic expression. within the backdrop of Indian socio-cultural and monetary ethos, the pages of this booklet spread the mesmerising woven yards of the sari, the essential piece of garment that has draped the Indian ladies due to the fact that time immemorial. The sari has been subjected to innumerable cross-cultural affects introduced in through the increase and fall of empires that marked the background of India. probably no different cloth product displays the resilience of the Indian handloom region because the sari, a real instance of excellent Indian sensibilities. This quantity goals to please and improve the cultured event of the reader with details on a variety of saris from either the prior and the current.
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Extra info for Indian Saris: Traditions - Perspectives - Design
The complex pattern depicts a creeper bearing blossoming ﬂowers and intermingling with lions, deer, parrots, horses and elephants. The repeat of the design is cleverly camouﬂaged. (collection: Crafts Museum, New Delhi) Sari: An Overview 41 in repeats and patterns. These powerfully expressive forms have found acceptance across many regional traditions to complement their repertoire of colours, symbols and motifs. Sometimes the motifs could be inspired from the common sources but their visual interpretation and representation in each tradition is unique.
Photograph collection: Weavers’ Service Centre, New Delhi) Bottom: A jamdani sari with traditional rama chiluka (parrot) and aaku (leaf) motif from Venkatagiri. Cotton saris from Andhra Pradesh have an amazing range. They are designed for the needs of each section of society and cater to every occasion. The region has been the traditional home of cotton ﬁbre. It is also well-known for its indigo cultivation and ikat textiles. There was a time when nearly every village in Andhra was a spinning and weaving hub making saris, dhotis and khadi textiles.
Despite long Islamic inﬂuence, the asavali weavers continued to weave animal motifs as an exception. (collection: Crafts Museum, New Delhi) Bottom: Lady on a horse — a narrative style motif from baluchari sari. The baluchar style originated in Murshidabad, West Bengal and remained conﬁned to saris only. Woven with untwisted silk, the saris are famous for their elaborate pallav and dark rich colours. (collection: Crafts Museum, New Delhi) Below: Left: This sari is an example of tanchoi from Surat, Gujarat.
Indian Saris: Traditions - Perspectives - Design by Vijai Singh Katiyar