By Hans Bertens
With a brand new creation and completely up to date tips to additional studying, this second version of Hans Bertens’ bestselling booklet is a must have advisor to the realm of literary thought. Exploring a large diversity of subject matters from Marxist and feminist feedback to post-modernism and new historicism it comprises new insurance of: the newest advancements in post-colonial and cultural idea literature and sexuality the newest faculties of proposal, together with eco-criticism and post-humanism the way forward for literary conception and feedback. Literary idea: the fundamentals is an important buy for someone who desires to comprehend what literary thought is and the place it is going.
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Additional info for Literary Theory: the Basics, 2nd edition
Summary English and American literary studies traditionally focus on the meaning of literary texts. Practical cricitism (the United Kingdom) and New Criticism (the United States) first of all provide interpretations, with the New Critics paying particular attention to the formal aspects of literature, which for them also contribute directly to a text’s meaning. Within this Anglo-American tradition, literature is thought to be of great importance because in poems, novels, and plays we find ‘the best that has been thought and said’.
Still, Jakobson’s formula stands as one of the most serious – and, I should add, successful – attempts to capture that which makes the bulk of Western literature, and especially poetry, different from the language we use when we go out shopping. Summary In the first half of the twentieth century, Russian and Czech literary theorists worked to develop a theory of literariness: what made literary texts different from for instance government reports or newspaper articles? In trying to answer this question they focused on the formal aspects of literature, on its specific forms and on the sort of language that it employs.
It is only FORMALISM AND EARLY STRUCTURALISM , 1914–60 when a prominent Formalist, the Russian linguist Roman Jakobson (1896–1982) and his fellow Formalists began to be translated into English in the late 1950s and 1960s that the English-speaking world began to take notice of their wholly different approach to literary art. But even then the response was slow, no doubt because the Formalist approach was so foreign to what Eliot, Leavis, the New Critics, and their ubiquitous heirs saw as the mission of literature and of writing about literature.
Literary Theory: the Basics, 2nd edition by Hans Bertens