By S. Matheson
This selection of ground-breaking articles examines difficulties romance offers within the American Western. taking a look a number of movies, this booklet deals readers very important and tough insights into the advanced nature of affection and the flexible frontier narrative that deal with key social, political, and moral parts of the Western style.
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Extra resources for Love in Western Film and Television: Lonely Hearts and Happy Trails
2 (March/April 1981), 43. It could be that the duke held a grudge after Baby Face (Alfred E. Green, 1931), in which Stanwyck’s character unceremoniously shoots down his offer of a date. Filmography Annie Oakley. Dir. George Stevens. , 1935. The Barbara Stanwyck Show. National Broadcasting Company, 1960–61. The Big Valley. American Broadcasting Company, 1965–69. California. Dir. John Farrow. Paramount Pictures, 1946. Cattle Queen of Montana. Dir. Alan Dwan. RKO Radio Pictures, 1954. Forty Guns. Dir.
Lin McAdam (Stewart) tries to assist her when he mistakenly thinks she is being manhandled by Earp. Lola is attracted to his cavalier ways; of course, they meet later when cowardly Steve has almost deserted her to the marauding Indians. Helped by the US cavalry and McAdam, Lola subtly becomes the victim of the male gaze by all. Notably, Lola does not introduce Steve to the soldiers; later, a sergeant introduces him to McAdam. Lola and Lin further marginalize Steve when she thanks him for his blanket and saddle for sleep, thus not permitting her ﬁancé to address her needs.
They are fully responsible for their actions. They are ambitious exploiters whose misdeeds merit punishment doled out in disappointment grief, and sometimes death” (Wagner 81).
Love in Western Film and Television: Lonely Hearts and Happy Trails by S. Matheson