By Christine Amsden
Watch out your middle and soul…
Evan broke Cassie’s center months in the past, and he or she nonetheless doesn’t comprehend why. She throws herself into relatives, associates and her new activity on the sheriff’s division, yet not anything is helping. the single factor that at last permits her heal and circulation on is the affection of a brand new guy, brain mage Matthew Blair. Cassie unearths him... irresistible
Matthew can also be the one person who may help hold the nonmagical citizens of Eagle Rock from going loopy over the homicide of a loved pastor’s spouse. It seems like a sorcerer is responsible, yet whereas Cassie attempts to determine who, others take concerns into their very own fingers. With tensions operating so sizzling, a unmarried spark may possibly set Eagle Rock ablaze.
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Extra resources for Mind Games (Cassie Scot, Book 3)
Somewhere in that interview he was commenting on the near-perfect match between some of my drawings and the target. His statement was something like, "Joe provides this kind of spectacular detail about twenty percent of the time. " This statement was made along with other statements that reflected a target hit rate of about sixty to sixty-five percent. But in this statement, he was specifically referring to near perfect drawings, something that rarely happens in remote viewing. Unfortunately, when it was edited, it was taken completely out of context.
Unknown targets are filled with problems. As an example, a totally unknown target, like a UFO sighting, makes a very poor target. Even if you have a perfect description of the area in which the sighting has taken place, you are still left without any information that can validate specifics about the actual target—the UFOs. In my experience, the chances of stating UFO material obtained through remote viewing is correct are very close to zero. Likewise, the existence of a totally unknown target is almost never checked out on the ground.
People do this in a lot of different ways. " Well, I'm talking about the same kind of thing. For instance, the way a person shifts in a chair might tell us when we are getting close to a correct answer. How people fold their arms during a conversation or what they do with their hands transfer information as well. Even where and how a person moves his eyes while answering a question can tell us whether we are right or wrong, or if they are inventing a response to throw us off the track, or if they simply don't know.
Mind Games (Cassie Scot, Book 3) by Christine Amsden