By Maddie James
During this first installment of The Matchmaking Chef sequence, we discover Suzie Matthews tough at paintings on her new cookbook, completely Matched. After discovering her personal excellent fit along with her husband, Brad, in mattress, Breakfast & You, after which operating a bit magic reuniting her sister together with her highschool boyfriend, Matt, in domestic for the vacations, Suzie feels convinced in her new-found matchmaking skills.
So, she asks the neighborhood "wallflower" Mary Lou, to aid her with a project-Mary Lou now not figuring out that "project" is herself.
Mary Lou Picketts goals of falling in love with nation tune superstar, Nash Rhodes, yet is able to accept Thurman Phillips down the road, if she has to. yet she doesn't are looking to. not likely. while Nash involves Legend for a tune profit and remains on the inn, Suzie units out to completely fit this miss-matched couple.
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Oh, and we managed to go to Bermuda that month with his daughters. Then in August I started rehearsals for Lil’ Abner. And don’t forget that Ernie’s daughters came to a matinee of mine whenever I was on, and we would have dinner afterwards at Sardis. m. Unlike the Philadelphia and New York shows, the Kovacs shows 20 } Ernie Kovacs & Early TV Comedy Edie Adams “encircling” Ernie Kovacs, who enjoys it all. The Ernie Kovacs Show (cbs/nbc 1952–1956). nbc/Photofest © nbc in California from 1958–1962 were not under the same “no budget, no time” regime.
He wears a bow tie and, of course, has his cigar in hand as he addresses a live audience and looks directly at us (the camera) frequently. The stage set is a European forest. Edie Adams in costume sings an operetta piece as a violin plays. As in most “comedy variety” shows, the song is done straight without humor. Ernie begins reading a poem about gypsies and breaks into Hungarian. He then turns to the camera and says “Hiya, folks. ” And the whole screen freeze-frames as he winks at us! ”), eight years before Francois Truﬀaut ended his muchwritten-about debut feature, 400 Blows (1959), with a freeze-frame of the young protagonist’s face.
Yes, the surrealism of an elephant suddenly in a Western is clearly Ernie Kovacs’ imagination at work full tilt in a purely carnivalesque spirit. The shootout ends as a young lady in a long dress walks through the swinging doors only to have her skirt shot oﬀ and her long knickers exposed. But before we cut to the Dutch Masters cigar box and the commercial pitch, Ernie splices in one last “killing” and this is the explosion of a ship in a harbor. What seems particularly “modern” about this example of what we could call Ernie’s “montage (editing) humor” is the extremely short takes of each shot so that as music plays throughout, we have something of a humorous mtv music video decades before mtv existed.
Perfectly Matched by Maddie James