By I. Morgan
Cinematic depictions of genuine U.S. presidents from Abraham Lincoln to George W. Bush discover how Hollywood videos symbolize American background and politics on monitor. Morgan and his members convey how motion pictures mixture fable and truth to provide a favorable message approximately presidents because the epitome of America's values and idealism until eventually unpopular overseas wars in Vietnam and Iraq ended in a darker portrayal of the imperial presidency, operated via Richard Nixon and Bush forty three. This interesting new assortment additional considers how Hollywood has continuously reinterpreted traditionally major presidents, particularly Abraham Lincoln, Theodore Roosevelt, and Franklin D. Roosevelt, to slot the days within which videos approximately them have been made.
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Extra info for Presidents in the Movies: American History and Politics on Screen
In addition, it examines the ways in which Hollywood and Washington have constructed increasingly mutual and advantageous agendas. Finally, it suggests how both fictional and biographical portraits have contributed to a vision of the presidency that voters wish for in their choice of the real White House occupant. It was Obama’s speech at the 2004 Democratic convention in Boston that first inspired Attie to use the prospective senator’s tone, style, and rhetoric as a basis for his construction of Matt Santos in The West Wing.
This is the essence of the mythic narrative that Hollywood has helped construct over time and is the key to all manner of portrayals that have followed in the footsteps of a film such as Young Mr. Lincoln. In other words the arc of the storyline is the thing that has to be right; historical fact becomes secondary. Indeed neither Ford nor Stone in their respective times set the tone for the reception of the two presidents they rebuilt on screen. The likes of Isaac Newton Arnold in Lincoln’s case and William Manchester in Kennedy’s had already begun that process on paper many years before.
27 Whether they are unpopular or otherwise, whether the public desires closure from their tenure in office or not, the circumstances of media influence, global communications, and cultural and artistic mediums cannot allow it. Accordingly, the presidency is naturally set to fall in step with the next mythic realization of its feats and foibles on TV, in film, or book form. This traditional Hollywood exercise even stretches beyond American politics in the twenty-first century in the case of Roman Polanski’s adaptation of Robert Harris’s Blair-ite fable, The Ghost (2010).
Presidents in the Movies: American History and Politics on Screen by I. Morgan