By Sarah Nilsen
The Brussels World's reasonable used to be probably an important propaganda occasion to be staged for eu allies within the Eisenhower years; his management considered tradition as a weapon within the conflict opposed to communism. This e-book examines the serious position of movie within the details warfare waged opposed to the Soviets within the American pavilion on the reasonable. The management sought to create a visible rendition of the USA that was once arresting and inspirational; movie used to be used as a mode of political persuasion.
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Extra info for Projecting America, 1958: Film and Cultural Diplomacy at the Brussels World's Fair
Widely quoted in the German press at the time was a survey of 400 American and British ﬁlms that concluded that the ﬁlms featured “1,952 violations of law, including 405 cases of adultery, 310 murders, 182 cases of perjury, 104 assaults, and 34 cases of arson” (ibid. 240). McCloy warned that 40 P RO J E C T I N G A M E R I C A , 1958 Germans were calling for the censorship of American ﬁlms in Germany, and the main focus of their attack was the violence and sexuality present in Hollywood ﬁlms. “The complaints are not limited to anti–Americans,” explained McCloy.
MacCann 140). Because of this, for the ﬁrst time the government consciously set out to tell the world in a series of ﬁlms what it was like to live in America. ” This was one of many reports generated by the OWI in its attempts at confronting the challenge of what image of America should be shown to the world following the end of the war. Wilson’s memorandum was particularly noteworthy for the double meaning of its title: “projection” in the sense of forecast or prediction and “projection” as related to the most popular and presumably inﬂuential medium of communication about American culture during and after World War II, the motion picture (Wilson 83).
At the height of the Cold War, the image that was chosen to represent America’s atomic The Brussels World’s Fair of 1958 23 power was not only optimistic, but also sublime. The Atoms for Peace program was a crucial aspect of Eisenhower’s psychological campaign against the Soviets, and South Paciﬁc worked to bolster this strategy by nullifying European fears of American dominance through its cinematic spectacle. When American dominance seemed to be challenged, Balai Hai beckoned those willing to recognize the “terrible beauty” of America’s destiny.
Projecting America, 1958: Film and Cultural Diplomacy at the Brussels World's Fair by Sarah Nilsen