Read e-book online Raindance Producers' Lab Lo-To-No Budget Filmmaking PDF

By Elliot Grove

ISBN-10: 0240516990

ISBN-13: 9780240516998

ISBN-10: 1417556072

ISBN-13: 9781417556076

In case you are trying to find straight forward info on how one can make a movie on a minimum funds that's in accordance with attempted and demonstrated ideas - glance no extra. Elliot Grove has labored on 1000's of affordable productions, teaches Lo-to-No funds filmmaking classes and runs the Raindance movie competition (the biggest autonomous movie pageant in Europe.) His wealth of educating and filmmaking adventure mixed with wisdom of the profitable formulation that paintings is the foundation of this e-book. Refreshingly transparent, no-nonsense methods of the alternate. The unfastened CD offers the entire contracts and fabric you want to run a creation corporation and make profitable low price range videos; how you can agenda, funds and holiday down a script and the way to get it shot with what you've got, no longer what you will have. this can be a should have learn for filmmakers fascinated about making and promoting movies. artistic and technical services coupled with a backstage examine the movie makes this booklet a superb start line for newbies. for knowledgeable filmmakers there are many sensible techniques in right here so you might test, from constructing CV's, showreels and company plans to details on pitching, elevating finance, developing exposure and masses even more. Use it as some degree of departure or as a daily reference instrument. The accompanying CD-ROM comprises pattern budgets, exposure plans, trailers and interviews. *Adopt the attempted and confirmed innovations that work*Get the interior view from the Director of the Raindance movie Festival*Experience 'results-orientated' filmmaking services

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Extra resources for Raindance Producers' Lab Lo-To-No Budget Filmmaking

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Iii Describing the schedule You can also describe your budget by telling an investor how long the schedule for your shoot is. BUDGETING AND SCHEDULING 23 Guerrilla Filmmaking: Return the camera on Monday lunchtime. Call the camera rental facility with an excuse of how your van has broken down and lie about your location, and continue shooting. It’s likely that the rental facility won’t charge you for the additional hire, but you will probably be unable to use them again. Three-week shoot This is a very common length of time for a low budget shoot.

DCT Discrete Cosine Transform. A widely used method of video compression. Digital A form in which everything is defined by a series of ones and zeros. Digital Betacam DV tape format using the CCIR 601 standard to record 4:2:2 component video in compressed form. HDTV High Definition Television. A TV format capable of displaying on a wider screen (16x9 as opposed to the conventional 4x3) and at higher resolution to be able to fill a larger screen. One way to evaluate a digital format is by measuring its compression ratio meaning the amount of information that can be stored on each frame.

If you follow the refrigerator theory of budgeting, within six months you will figure out how to expose actors to film stock. After all, that’s what filmmaking really is. Preparing the Schedule All scheduling means is taking account of the different variables and figuring out the best combination for the film. One line producer I know likens it in a way to arranging the seating at a dinner party. The industry method is to take the script and break it down into the parts which are pertinent to budget requirements and to use these parameters to decide which scenes will be shot when.

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Raindance Producers' Lab Lo-To-No Budget Filmmaking by Elliot Grove


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