By Fraser A. Sherman
American motion pictures, like the USA itself, have lengthy been occupied with the specter of outsiders posing as voters to break the yank lifestyle. This publication tracks real-world fears showing within the movies--Nazi brokers, Japanese-American spies, Communist occasion subversives, Islamic sleeper cells--as good because the science-fiction threats that play to an identical fears, equivalent to alien body-snatchers and android doppelgangers. The paintings additionally examines fears encouraged via global battle I German spies, the Japanese-American internment and the McCarthyite witch-hunts and indicates how those matters, and others, performed out on reveal.
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Extra resources for Screen Enemies of the American Way: Political Paranoia About Nazis, Communists, Saboteurs, Terrorists and Body Snatching Aliens in Film and Television
In Hynd’s world, Japanese-owned hotels are hotbeds of espionage, and all positioned next to power lines in order to take down the electrical grid. American companies that did business with Japanese-Americans — tuna canneries, for instance — were selling out America for the almighty buck. Hollywood Goes to War describes how the studios tried to balance out wartime portrayals of Germany by showing good Germans alongside the Nazis. Why We Fight emphasizes that despite Hitler’s claim on the loyalty of all Germans everywhere, most German-Americans are 100 percent American, and many serve in the armed forces.
Lorenz (Greenstreet), a Japanophile American living in the Philippines who sees Japanese dominance there as inevitable; and Joe Totsuikio (Victor Sen Yung), a geeky Japanese-American college student who hates that his father is sending 34 2. The Yellow Peril and the Fear of Japan him to Japan to study. A Filipino tries to kill Lorenz during a stop, but Rick saves him and the crew kills the assassin. The ship docks in Panama on December 6, and Lorenz offers $1,500 if Rick can bring him the airplane patrol schedule for the nearest lock by the end of the day.
The combination of all these setbacks, as Halberstam says, made it easier to believe that communist agents within the American government had undermined our ﬁght against Russia; for many people, that made more sense than believing Chiang’s government was incompetent, that the luck of the draw in postwar Europe had favored the USSR or that America had screwed up. Other events intensiﬁed this belief: • The Alger Hiss trial, which exposed Hiss, a State Department ofﬁcial, as a communist spy. The fact that he’d served in a minor function at Yalta was cited as proof that America’s post-war policies had been shaped by subversives.
Screen Enemies of the American Way: Political Paranoia About Nazis, Communists, Saboteurs, Terrorists and Body Snatching Aliens in Film and Television by Fraser A. Sherman