By Thea Harrison
The writer of Lord’s Fall and Midnight’s Kiss returns with a fascinating and scorching new story approximately accounts that can't be repaid and starvation that can't be satisfied…
For Beluviel, consort to the Elven excessive Lord, and Graydon, gryphon and primary Sentinel of the Wyr, even the slightest wish for every different is forbidden. yet 200 years in the past, after a determined play to avoid wasting Beluviel’s stepson left them indebted to the tough Djinn Malphas, they discovered their fates inexorably associated together—and the starvation among them turning out to be too powerful to ignore…
centuries later, with their debt to Malphas coming due, Beluviel and Graydon detect that, in the event that they are to face any probability of saving their souls, they need to once more paintings together—this time extra heavily than ever ahead of. yet each second they spend with one another brings them closer to wasting whatever much more vital—their hearts…
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Extra resources for Shadow's End (Elder Races, Book 9)
Somewhere in that interview he was commenting on the near-perfect match between some of my drawings and the target. His statement was something like, "Joe provides this kind of spectacular detail about twenty percent of the time. " This statement was made along with other statements that reflected a target hit rate of about sixty to sixty-five percent. But in this statement, he was specifically referring to near perfect drawings, something that rarely happens in remote viewing. Unfortunately, when it was edited, it was taken completely out of context.
Unknown targets are filled with problems. As an example, a totally unknown target, like a UFO sighting, makes a very poor target. Even if you have a perfect description of the area in which the sighting has taken place, you are still left without any information that can validate specifics about the actual target—the UFOs. In my experience, the chances of stating UFO material obtained through remote viewing is correct are very close to zero. Likewise, the existence of a totally unknown target is almost never checked out on the ground.
People do this in a lot of different ways. " Well, I'm talking about the same kind of thing. For instance, the way a person shifts in a chair might tell us when we are getting close to a correct answer. How people fold their arms during a conversation or what they do with their hands transfer information as well. Even where and how a person moves his eyes while answering a question can tell us whether we are right or wrong, or if they are inventing a response to throw us off the track, or if they simply don't know.
Shadow's End (Elder Races, Book 9) by Thea Harrison