By Aira, César; Silver, Katherine
"Daily conversations in outside cafés with cultured neighbors might help make fact a bit extra actual. regrettably, even though, in the course of one such dialog, one guy spots a gold Rolex watch on a television cleaning soap opera's goatherd. This doubtless small absurdity units off alarms: unusual sensations of deception, misery, and incipient insanity. the 2 men's uneasiness quickly turns into a nightmare because the television event advances with a real-life plot--involving a mutant pressure of killer algae--to take over the world!"--Amazon.com. Read more...
summary: "Daily conversations in open air cafés with cultured acquaintances can assist make fact a bit extra actual. regrettably, besides the fact that, in the course of one such dialog, one guy spots a gold Rolex watch on a television cleaning soap opera's goatherd. This likely small absurdity units off alarms: unusual sensations of deception, misery, and incipient insanity. the 2 men's uneasiness quickly turns into a nightmare because the television event advances with a real-life plot--involving a mutant pressure of killer algae--to take over the world!"--Amazon.com
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Additional info for The Conversations (New Directions Paperbook)
As I said, my friend’s reply was unexpected; he had been champing at the bit and bringing to bear all his patience so as not to interrupt me. He showed no sign of lack of comprehension or confusion; on the contrary: he was determined to free me from my error. He started by saying something that I took as a somewhat marginal generalization. According to him, actor and character could coexist, and the movie we had both watched proved this; if I had really watched it, he added with a touch of sarcasm, because the scope of my error made him doubt that I had.
On the contrary, for those of us who have spent our day in the company of Hegel or Dostoyevsky, such “cultural” programs are a waste of time, and for this same reason, as well as their intrinsic worthlessness, we find them paltry and narrow-minded, if not downright ridiculous. We’d both seen only fragments of this movie; due to tedium and channel surfing as well as domestic distractions, we’d seen different parts, one of us more at the beginning and the other more at the end. But that was enough; stereotypical Hollywood productions of this kind can be fully deduced from one or two scenes, the same way paleontologists can reconstruct an entire dinosaur out of a single vertebra.
Apparently, they could not be, at least not on the same level. “Level” of course is also a metaphor, and also in this instance I intended to distance myself from it, and to do so right away, because the other level was that of fiction, which was not a metaphor but rather, in a way, the real — perfectly real — lifeblood of all metaphors. Fiction created a second and simultaneous world . . Here I interrupted myself twice over. I did so in the conversation, because I could see that I was getting nowhere, and I did so when I was remembering the scene of the conversation, because I saw that I was reaching my goal too quickly.
The Conversations (New Directions Paperbook) by Aira, César; Silver, Katherine