By Charles R. Embry
This can be the 1st book-length learn of the literary dimensions of Voegelin's philosophy--and the 1st to exploit his philosophy to learn particular novels. Embry makes a speciality of key components of Voegelin's philosophy as vital for interpreting literature: metaxy, the in-between of human awareness, and metalepsis, human participation locally of being. He indicates how Voegelin's philosophy generally is rooted in literary-symbolic interpretation and, as a result, offers a starting place for the translation of literature. and at last he explores Voegelin's insistence that the steadiness of literary feedback lies within the cognizance of the reader. Embry then bargains Voegelinian readings that vividly illustrate the rules of this strategy, together with readings of Waterland, The Demons, and The Violent undergo It Away.
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Additional info for The Philosopher and the Storyteller: Eric Voegelin and Twentieth-century Literature (Eric Voegelin Institute Series in Political Philosophy)
In the “Postscript,” he elaborated: The deformation of which I am speaking is the fateful shift in Western society from existence in openness toward the cosmos to existence in the mode of closure against, and denial of, its reality. 11 On the “dustiness” of James’s garden (in the story) and its deformed humanity, Voegelin asserts that the work’s existential defect “reflects a warping in the author’s consciousness of reality, while the mode of closure in the author’s existence translates itself into a want of critical distance in the work.
15. This book itself is rooted in the conviction that Voegelin’s philosophy will provide the literary critic the necessary philosophical “tools” for understanding the call of stories and the human condition as it is explored in works of literature. 16. , 152, 153, 170–71. 26 The Philosopher and the Storyteller Literature and the Time of the Tale From general interpretive attitudes and principles, we turn now to one of Voegelin’s substantive statements about literature. This statement, which I quote in toto, will in turn lead us into the heart, and the complexity, of his philosophical work.
Explicit principles of literary criticism expressed in letters 63 (July 24, 1956) and 65 (August 22, 1956) in response to his reading and responding to Magic in the Web, Heilman’s book on Othello; 2. brief comments on interpretive method with specific statements on the use of language in imaginative works contained in letter 9 (April 9, 1946) as response to Heilman’s Lear MS, later published as This Great Stage; 3. a substantive interpretation of Henry James’s The Turn of the Screw found in letter 11 (November 13, 1947), supplemented by more explicit attention to the philosophical dimensions of literary “One of My Permanent Occupations” 15 interpretation in his 1971 postscript to the earlier letter, both of which are published in Southern Review; 4.
The Philosopher and the Storyteller: Eric Voegelin and Twentieth-century Literature (Eric Voegelin Institute Series in Political Philosophy) by Charles R. Embry