By Jennifer Reed (auth.)
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Additional info for The Queer Cultural Work of Lily Tomlin and Jane Wagner
Orr even worse, no marriage at all. . But even today with updated subject matter, they haven’t changed much. For instance . . This introduces a skit in which Tomlin plays a good woman who almost goes bad—but then is saved from the brink. The Seven Ages of Woman In the last two television specials, Lily’s Seven Ages of Woman —aa mock show within the show—is a backdrop for the narrative. In Lily: Sold Out!! (1981) it is a stage play that the character Lilyy Tomlin is working on, and determined to take to Las Vegas.
Their work has always been imbued with a feminist sensibility that challenges male centrality at its core. Indeed, their work was always very much part of the developing feminist discourse of this time in a number of ways. However, theyy were virtually alone in bringing the voices and experiences of varieties of women characters to the mainstream, from a feminist perspective, using multimedia in the ways that theyy did. They were not the only women creating comedy at the time. There were some stand-ups in both mainstream and lesbian contexts.
The first special, Edith Ann: A Few Pieces of the Puzzlee (1994), was followed by Edith Ann: Homeless Go Homee (1996) and Edith Ann’s Christmas: Just Sayy Noell (1996), which won a Peabody. Edith Ann even has an app called City Adventures with Edith Ann, that has children doing things like saving bugs from pollution. Currently, they produce small queer theatrical projects; theyy lent their name to the Lily Tomlin and Jane Wagner Cultural Arts Center at the Los Angeles Gay and Lesbian Center in Hollywood to raise funds for programs at The Center.
The Queer Cultural Work of Lily Tomlin and Jane Wagner by Jennifer Reed (auth.)