By Steven Barnett
This ebook strains the background of tv journalism in Britain from its austere roots within the BBC's post-war monopoly to the present-day plethora of 24 hour channels and big name presenters. It asks why a medium whose thirst for photos, personalities and drama make it, a few think, intrinsically fallacious for critical journalism may still stay within the web age the main influential purveyor of news.
Barnett compares the 2 very varied trajectories of tv journalism in Britain and the USA arguing that from the outset a rigorous statutory and regulatory framework rooted in a trust concerning the democratic price of the medium created and sustained a tradition of great, in charge, exact and interrogative journalism in British tv. The book's overarching thesis is that, regardless of a really assorted set of old, regulatory and institutional practices, there's a very genuine risk that Britain is now heading down an analogous highway as the United States. accordingly, Britsh public existence may be diminished.
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Extra resources for The Rise and Fall of Television Journalism: Just Wires and Lights in a Box?
Trust was integral. 30 This was then, and remains, one of the cornerstones of BBC journalistic practice. It partly explains the furore following its reporting of the government’s Iraq intelligence dossiers in 2002, explored in more detail later in this book, and other smaller incidents in which the BBC has been found not to be completely accurate or open with its licence-payers. In the first decade of the twenty-first century, this ingrained sense of truth-telling remains a fascinating counterpoint to some of the journalism practised by the popular press and in the blogosphere, where principles of honesty and integrity have arguably been under more intense pressure than ever before.
Crawford, like Sykes, rejected a State- Laying the Foundations: Policies, Practices and a Public Monopoly [ 23 ] run institution in favour of a new corporation whose ‘status and duties should correspond with those of a public service’. Crawford, however, seemed to move towards a greater flexibility about the BBC and news. The new organization should not be providing material ‘as it pleases’, said the committee, but then added – with what might be interpreted as astonishing foresight – that newspapers will adapt ‘perhaps depending more upon narrative and criticism than upon the mere schedule of facts’.
Since it had no journalistic resources of its own, the BBC took its news of the strike from two sources: the Admiralty office of the Deputy Chief Civil Commissioner, who acted as the link between government and Reith during the strike, and Reuters. According to Briggs, ‘One or two BBC employees actually went out collecting news,’ but bulletins were essentially rewritten second-hand affairs which tried to encapsulate the essence of what was happening around the country. g. stories about the murder of police officers or riots at Hyde Park Corner).
The Rise and Fall of Television Journalism: Just Wires and Lights in a Box? by Steven Barnett