Download e-book for iPad: Voice-over Translation: An Overview by Eliana Franco, Anna Matamala, Pilar Orero

By Eliana Franco, Anna Matamala, Pilar Orero

ISBN-10: 3034303939

ISBN-13: 9783034303934

This booklet offers the 1st examine of voice-over from a large process, together with not just educational concerns but in addition an outline of the perform of voice-over worldwide. The authors outline the idea that of voice-over in movie reviews and Translation reports and make clear the connection among voice-over and different audiovisual move modes. additionally they describe the interpretation procedure in voice-over either for creation and postproduction, for fiction and non-fiction.
The e-book additionally good points path versions on voice-over which are used as a resource of suggestion by way of running shoes prepared to incorporate this move mode of their classes. a world survey on voice-over within which either practitioners and teachers convey their critiques and a commented bibliography on voice-over whole this research. each one bankruptcy contains workouts which either academics and scholars can locate worthy.

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Additional info for Voice-over Translation: An Overview

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This means that translations either incorporate the original talking head through the use of the personal pronoun I, or report what the talking head says through the use of the singular and plural third person personal pronouns. The former process is more often applied whereas the latter process appears in rare moments where a certain degree of content manipulation is verified. Reported and direct voice-overs do have consequences for the translator’s invisibility and ethics. That is, in direct voice-over the translator personifies the original speaker, which results in greater invisibility.

La narration permet également de légères interventions d’édition, pour alléger, compléter ou éclaircir le contenu. En fait il s’agit plus ou moins d’un compte-rendu de ce qui est dit ou dialogué. Le ton sépare pourtant la narration du style “commentaire”. (Pönniö 1995: 304) The most interesting part of Pönniö’s statement is the suggestion that, as a mode of transfer, narration makes use of reported speech. For the rest, it seems useless to differentiate the voice-over mode of transfer from the extended voice-over modes of transfer because both refer to the translated version of an interview being read on top of its original version, with the number of voices and register as the only distinguishing features between 26 See, for example, Rabiger’s account on how to write narrations in Directing the Documentary (1998).

Voice-over for postproduction (I): Typology and working conditions 53 have to render in the target language. Its written version, in the form of a script or transcript, is nothing but a supplemental aid whose quality varies, as will be demonstrated below. 1 Scripts and transcripts The spectrum of postproduction scripts is extremely wide: it varies from the loose transcription to the highly detailed script, in which the transcription is accurate. Some of scripts have been created specifically for translators and include a note explicitly stating “for dubbing purposes”.

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Voice-over Translation: An Overview by Eliana Franco, Anna Matamala, Pilar Orero

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